Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
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Síða 140
... Giosuè himself asks " but what kind of game is this ? " Guido's face lights up and he exclaims , “ That's it ! It's that game that game where . . . we're all players . " But he is still clearly making things up as he goes along ...
... Giosuè himself asks " but what kind of game is this ? " Guido's face lights up and he exclaims , “ That's it ! It's that game that game where . . . we're all players . " But he is still clearly making things up as he goes along ...
Síða 146
... Giosuè first arrive in the barrack , and Giosuè asks for a snack , he says , " We'll just ask , we're all friends here " and turns to another prisoner , whom he does not yet know . Searching for his name as though he did already know ...
... Giosuè first arrive in the barrack , and Giosuè asks for a snack , he says , " We'll just ask , we're all friends here " and turns to another prisoner , whom he does not yet know . Searching for his name as though he did already know ...
Síða 149
... Giosuè's story , we see Gio- suè riding out of the concentration camp to freedom atop an American tank ( see Fig . 16 ) . Just as with Don Justo's first encounter with " Malacara " -the object of his search — Giosuè greets the tank with ...
... Giosuè's story , we see Gio- suè riding out of the concentration camp to freedom atop an American tank ( see Fig . 16 ) . Just as with Don Justo's first encounter with " Malacara " -the object of his search — Giosuè greets the tank with ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York