Discourse, Bindi 28,Útgáfur 2-32006 |
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Síða 29
... Dream Work . It's just that in this film , the transforma- tion of that material - the artisanal reworking of it into complex superimpositions interleaved with footage of the filmmaker's hands working on the film's rayographs - also ...
... Dream Work . It's just that in this film , the transforma- tion of that material - the artisanal reworking of it into complex superimpositions interleaved with footage of the filmmaker's hands working on the film's rayographs - also ...
Síða 35
... dream images.23 Although these dream views would give way to narrative films in which the dream lives of characters would be contained in clearly demarcated sequences , special effects would continue to be used to dramatize the differ ...
... dream images.23 Although these dream views would give way to narrative films in which the dream lives of characters would be contained in clearly demarcated sequences , special effects would continue to be used to dramatize the differ ...
Síða 45
... Dream Work , too , engages in a painstaking articulation of its source material's occult wishes and desires . Like another dream- work , Germaine Dulac's and Antonin Artaud's La coquille et le cler- gyman ( 1927 ) , it uses the ...
... Dream Work , too , engages in a painstaking articulation of its source material's occult wishes and desires . Like another dream- work , Germaine Dulac's and Antonin Artaud's La coquille et le cler- gyman ( 1927 ) , it uses the ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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