Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
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Síða 13
... Derrida's theoretical horizon at least since 1967's Of Grammatology where " cinematography " appears on a list of things alien to the order of the voice that we nonetheless call writing , naming them with words ending with the suffix ...
... Derrida's theoretical horizon at least since 1967's Of Grammatology where " cinematography " appears on a list of things alien to the order of the voice that we nonetheless call writing , naming them with words ending with the suffix ...
Síða 15
... Derrida plays out a spectral logic by remembering his experience in making Ghost Dance and another memory of that experience while watching the finished film . Der- rida recalls shooting a scene in his office with Pascal Ogier , who ...
... Derrida plays out a spectral logic by remembering his experience in making Ghost Dance and another memory of that experience while watching the finished film . Der- rida recalls shooting a scene in his office with Pascal Ogier , who ...
Síða 26
... Derrida and Bernard Stiegler , Echographies of Television : Filmed Interviews , trans . Jennifer Bajorek ( Cambridge : Polity Press , 2002 ) , 114 . 19 Derrida , interview with Antoine De Baecque and Thierry Jousse , “ Jacques ...
... Derrida and Bernard Stiegler , Echographies of Television : Filmed Interviews , trans . Jennifer Bajorek ( Cambridge : Polity Press , 2002 ) , 114 . 19 Derrida , interview with Antoine De Baecque and Thierry Jousse , “ Jacques ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York