Discourse, Bindi 1-4Indiana University Press, 1979 |
From inside the book
Niðurstöður 1 - 3 af 53
Síða
... spectator is an adult , so he has already gone through the real Mirror Stage , and the Symbolic already functions in him ; while in the child , it has yet to be constructed . In fact , it's a difference of age ( that is of degrees of ...
... spectator is an adult , so he has already gone through the real Mirror Stage , and the Symbolic already functions in him ; while in the child , it has yet to be constructed . In fact , it's a difference of age ( that is of degrees of ...
Síða 4
... spectator , a point of view that is ultimately recuperated by its possible attribution to the portrait of General Stroessenger ; from the diegeticized viewpoint of the character ; or both , images wherein the spectator is excluded from ...
... spectator , a point of view that is ultimately recuperated by its possible attribution to the portrait of General Stroessenger ; from the diegeticized viewpoint of the character ; or both , images wherein the spectator is excluded from ...
Síða 7
... spectator and character , and the seemingly arbitrary decision whether the head faces the spectator or the character / spectator of the video image . Both techniques succeed in unhinging the spectator's gaze . Vision becomes disembodied ...
... spectator and character , and the seemingly arbitrary decision whether the head faces the spectator or the character / spectator of the video image . Both techniques succeed in unhinging the spectator's gaze . Vision becomes disembodied ...
Efni
Editorial D611 3 | |
The Order of Cinematographic Discourse 39 | |
Jürgen Habermas and the 59 | |
Höfundarréttur | |
2 aðrir hlutar ekki sýndir
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