Discourse, Bindi 1-4Indiana University Press, 1979 |
From inside the book
Niðurstöður 1 - 3 af 27
Síða 39
... shot is slightly wider , rendering the Indians slightly smaller in relation to the landscape ; and secondly , the duration of this shot is very brief by contrast to the concentration on the calvary in the two preceding shots - just a ...
... shot is slightly wider , rendering the Indians slightly smaller in relation to the landscape ; and secondly , the duration of this shot is very brief by contrast to the concentration on the calvary in the two preceding shots - just a ...
Síða 66
... shot of Mitch on the jetty followed by a shot of her looking threatens to reestablish her look ( and with something in it ) , but this threat is swiftly undermined by the next shot : a shot of the bird unseen by Melanie . " What Melanie ...
... shot of Mitch on the jetty followed by a shot of her looking threatens to reestablish her look ( and with something in it ) , but this threat is swiftly undermined by the next shot : a shot of the bird unseen by Melanie . " What Melanie ...
Síða 72
... shot of the movie is yet to come . As the car drives off through hordes of restless , threatening birds , we expect , and even long for , the camera to follow it - to cut to a safe arrival . But the camera deliberately stays anchored to ...
... shot of the movie is yet to come . As the car drives off through hordes of restless , threatening birds , we expect , and even long for , the camera to follow it - to cut to a safe arrival . But the camera deliberately stays anchored to ...
Efni
Editorial D611 3 | |
The Order of Cinematographic Discourse 39 | |
Jürgen Habermas and the 59 | |
Höfundarréttur | |
2 aðrir hlutar ekki sýndir
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