Discourse, Bindi 1-4Indiana University Press, 1979 |
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Niðurstöður 1 - 3 af 41
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... identification at the same time . Q : Some theorists have argued that ruptures in secondary identification can break down the pure specularity of the spectator- screen relationship and displace it onto relations which are more intra ...
... identification at the same time . Q : Some theorists have argued that ruptures in secondary identification can break down the pure specularity of the spectator- screen relationship and displace it onto relations which are more intra ...
Síða
... identification concerns only the people who work with the film . Q : But you seem to imply that , by de - emphasizing the secondary identifications , primary identification would somehow be rein- forced , and that there would be a ...
... identification concerns only the people who work with the film . Q : But you seem to imply that , by de - emphasizing the secondary identifications , primary identification would somehow be rein- forced , and that there would be a ...
Síða
... identification . Identification with one's own look is secondary with respect to the mirror , i.e. , for a general theory of adult activities , but it is the foundation of the cinema and hence primary when the latter is under discussion ...
... identification . Identification with one's own look is secondary with respect to the mirror , i.e. , for a general theory of adult activities , but it is the foundation of the cinema and hence primary when the latter is under discussion ...
Efni
Editorial D611 3 | |
The Order of Cinematographic Discourse 39 | |
Jürgen Habermas and the 59 | |
Höfundarréttur | |
2 aðrir hlutar ekki sýndir
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