Discourse, Bindi 1-4Indiana University Press, 1979 |
From inside the book
Niðurstöður 1 - 3 af 89
Síða
... film has a very precise , political , immediate aim ; if the filmmaker shoots a film in order to support a given strike , for example , and if the film actually supports the strike ... what could I say ? Of course it's O.K. Q : I think ...
... film has a very precise , political , immediate aim ; if the filmmaker shoots a film in order to support a given strike , for example , and if the film actually supports the strike ... what could I say ? Of course it's O.K. Q : I think ...
Síða 28
... Film in History ( 1980 ) . What distinguishes his approach is his sensitivity to the complexity of the relationships that exist among a film's production , contemporary conditions and attitudes , the period evoked by the film , and ...
... Film in History ( 1980 ) . What distinguishes his approach is his sensitivity to the complexity of the relationships that exist among a film's production , contemporary conditions and attitudes , the period evoked by the film , and ...
Síða 42
... film , the relationship between the audience and the work is dialectical , meanings are multiple . While a work ... film . It is inscribed in the ideology that underlies all aspects of the film's construction . This ideology is carried ...
... film , the relationship between the audience and the work is dialectical , meanings are multiple . While a work ... film . It is inscribed in the ideology that underlies all aspects of the film's construction . This ideology is carried ...
Efni
Editorial D611 3 | |
The Order of Cinematographic Discourse 39 | |
Jürgen Habermas and the 59 | |
Höfundarréttur | |
2 aðrir hlutar ekki sýndir
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