A Book of Nonsense

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CreateSpace Independent Publishing Platform, 16. nóv. 2016 - 30 síđur
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f the West. 29. There was an Old Man of the Wrekin, Whose shoes made a horrible creaking; But they said, "Tell us whether, Your shoes are of leather, Or of what, you Old Man of the Wrekin?" 30. There was a Young Lady whose eyes, Were unique as to colour and size; When she opened them wide, People all turned aside, And started away in surprise. 31. There was a Young Lady of Norway, Who casually sat in a doorway; When the door squeezed her flat, She exclaimed, "What of that?" This courageous Young Lady of Norway. 32. There was an Old Man of Vienna, Who lived upon Tincture of Senna; When that did not agree, He took Camomile Tea, That nasty Old Man of Vienna. 33. There was an Old Person whose habits, Induced him to feed upon Rabbits; When he'd eaten eighteen, He turned perfectly green, Upon which he relinquished those habits. 34. There was an old person of Dover,

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Um höfundinn (2016)

Edward Lear was born in Holloway, England, to Jeremiah (a stockbroker) and Ann Lear, tutored at home by his sister, and briefly attended the Royal Academy schools. Both an author and an illustrator, he earned his living as an artist from the age of 15, mainly by doing landscapes. What he is remembered for is his nonsense books, especially his popularization of the limerick. Along with Lewis Carroll, he is considered to be the founder of nonsense poetry. In addition to his limericks, he created longer nonsense poems. The best---and best known---is The Jumblies, in which the title characters go to sea in a sieve; it is a brilliant, profound, silly, and sad expression of the need to leave the security of the known world and experience the wonder and danger of the unknown. His other most notable work is The Owl and the Pussy Cat, a less complex poem whose title characters also go to sea. Lear produced humorous alphabets and botany books as well. His wordplay, involving puns, neologisms, portmanteau words, and anticlimax, retains its vitality today and has influenced such contemporary writers of children's nonsense verse as Shel Silverstein, Ogden Nash, and Laura Richards

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