Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 15Indiana University Press, 1992 |
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Síða 3
... Camera and Eye · It has long been one of the governing assumptions of film theory that the cinema derives in some ultimate sense from the Renais- sance , via intervening technologies like the camera obscura , the still camera , and the ...
... Camera and Eye · It has long been one of the governing assumptions of film theory that the cinema derives in some ultimate sense from the Renais- sance , via intervening technologies like the camera obscura , the still camera , and the ...
Síða 10
... camera , proposes that the photographer is nothing more than a " functionary " of that apparatus ( 19 ) . - But the concept of the " observer " implies not only an embodied and spectacularized eye whose relation to the camera is ...
... camera , proposes that the photographer is nothing more than a " functionary " of that apparatus ( 19 ) . - But the concept of the " observer " implies not only an embodied and spectacularized eye whose relation to the camera is ...
Síða 36
... camera , the gaze provides the subject with a specular body at the same time that it mortifies his or her real body . Death , in other words , is something that happens to the real within which the camera intervenes , as well as to the ...
... camera , the gaze provides the subject with a specular body at the same time that it mortifies his or her real body . Death , in other words , is something that happens to the real within which the camera intervenes , as well as to the ...
Efni
Introduction DEC 4 | 5 |
DISCOURSE 15 | 15 |
The Desirability of Disavowal in Physical Culture | 27 |
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