Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 8Indiana University Press, 1986 |
From inside the book
Niðurstöður 1 - 3 af 8
Síða 5
... veil , one can say that they do so in defiance of their men's oppressive rights to their bodies ; but when they decide to keep or to put back on the veil they once took off , they may do so to reappropriate their space or to claim a new ...
... veil , one can say that they do so in defiance of their men's oppressive rights to their bodies ; but when they decide to keep or to put back on the veil they once took off , they may do so to reappropriate their space or to claim a new ...
Síða 45
... veil , are now wide open , gazing on the outside world . And so another eye is present -the woman's gaze . This ... veils . But also there is the danger that the woman's gaze , which , freed to move about outside , risks at any ...
... veil , are now wide open , gazing on the outside world . And so another eye is present -the woman's gaze . This ... veils . But also there is the danger that the woman's gaze , which , freed to move about outside , risks at any ...
Síða 46
... veil will say , " I go out undressed , ” or even , “ nude . ” The veil which protected the woman from the looks of others is in fact felt to be “ a garment in itself , ” not to have it anymore amounts to being completely exposed . As ...
... veil will say , " I go out undressed , ” or even , “ nude . ” The veil which protected the woman from the looks of others is in fact felt to be “ a garment in itself , ” not to have it anymore amounts to being completely exposed . As ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing