Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 8Indiana University Press, 1986 |
From inside the book
Niðurstöður 1 - 3 af 15
Síða 32
... sexual identity is thus posited to justify and conceal exploitation . The Body , the most visible difference between men and women , the only one to offer a secure ground for those who seek the permanent , the feminine " nature " and ...
... sexual identity is thus posited to justify and conceal exploitation . The Body , the most visible difference between men and women , the only one to offer a secure ground for those who seek the permanent , the feminine " nature " and ...
Síða 93
... sexual myth , to mark the cultural construction of gender . Gaucho society wrote a certain misogyny into its tango : " Yet high or low , these macho voices have always had one single complaint : ' Mama mia ! How evil women are ...
... sexual myth , to mark the cultural construction of gender . Gaucho society wrote a certain misogyny into its tango : " Yet high or low , these macho voices have always had one single complaint : ' Mama mia ! How evil women are ...
Síða 106
... scores , which operate as a kind of rhetoric ( as do the Bach Klavier pieces , for example ) , also inscribing cultural and sexual identity ( as with the aria from a Chinese opera ) . The arrested articulation opens a space. 106 Discourse ...
... scores , which operate as a kind of rhetoric ( as do the Bach Klavier pieces , for example ) , also inscribing cultural and sexual identity ( as with the aria from a Chinese opera ) . The arrested articulation opens a space. 106 Discourse ...
Aðrar útgáfur - View all
Common terms and phrases
absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing