Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 8Indiana University Press, 1986 |
From inside the book
Niðurstöður 1 - 3 af 5
Síða 8
... speeches . " This , however , as Bell Hooks was often reminded , is " crazy talk , " one that needs to be suppressed " so that the ' right speech of womanhood ' would emerge . " And this " right speech of woman- hood " is , in fact , no ...
... speeches . " This , however , as Bell Hooks was often reminded , is " crazy talk , " one that needs to be suppressed " so that the ' right speech of womanhood ' would emerge . " And this " right speech of woman- hood " is , in fact , no ...
Síða 9
... right speech ' so carefully made up on our behalf , for our own good , they say . . . . After all , she is this Inappropriate / d Other who moves about with always at least two / four gestures : that of affirming “ I am like you " while ...
... right speech ' so carefully made up on our behalf , for our own good , they say . . . . After all , she is this Inappropriate / d Other who moves about with always at least two / four gestures : that of affirming “ I am like you " while ...
Síða 124
... speech . The punishments I received for " talking back " were intended to suppress all possibility that I would create my own speech . That speech was to be suppressed so the " right speech of womanhood " would emerge . - Within ...
... speech . The punishments I received for " talking back " were intended to suppress all possibility that I would create my own speech . That speech was to be suppressed so the " right speech of womanhood " would emerge . - Within ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing