Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 8Indiana University Press, 1986 |
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Síða 108
... narrative as real . In other words , seam- less editing works with a principle of the same , the illusion of sameness . Adynata , however , cuts on difference as a kind of de- scription , unwriting in the play of textuality . One such ...
... narrative as real . In other words , seam- less editing works with a principle of the same , the illusion of sameness . Adynata , however , cuts on difference as a kind of de- scription , unwriting in the play of textuality . One such ...
Síða 110
... narrative desires are ful- filled ) . Where narrative works with the space of realism to con- struct the imaginary , Adynata works with space as a fictional element to deconstruct representation . The Orient is itself al- ready a ...
... narrative desires are ful- filled ) . Where narrative works with the space of realism to con- struct the imaginary , Adynata works with space as a fictional element to deconstruct representation . The Orient is itself al- ready a ...
Síða 131
... Narrative Cinema and the Future of Film Theory " organized by Kaja Silverman and held at Simon Fraser University in 1984 . Contributors include Laura Mulvey , Judith Mayne , Jacques Aumont , Ron Burnett , Michael Silverman , and Thomas ...
... Narrative Cinema and the Future of Film Theory " organized by Kaja Silverman and held at Simon Fraser University in 1984 . Contributors include Laura Mulvey , Judith Mayne , Jacques Aumont , Ron Burnett , Michael Silverman , and Thomas ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing