Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 8Indiana University Press, 1986 |
From inside the book
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Síða 7
... language , enlisted the aid of the old way of theorizing , in order to relate , to recount , to explain this new situation . . . . " Writing in the " feminine " supposes a re - ordering and a possible rupture with grammar and syntax ...
... language , enlisted the aid of the old way of theorizing , in order to relate , to recount , to explain this new situation . . . . " Writing in the " feminine " supposes a re - ordering and a possible rupture with grammar and syntax ...
Síða 68
... language of a survivor is simply not heard the way it is spoken . It's especially not heard in films because the language of films is a very constructed language , the same way that the “ reality ” of a film is a fabricated one . The ...
... language of a survivor is simply not heard the way it is spoken . It's especially not heard in films because the language of films is a very constructed language , the same way that the “ reality ” of a film is a fabricated one . The ...
Síða 103
... Language : Leslie Thornton's Adynata Linda Peckham Adynata : A stringing together of impossibilities ; sometimes a confes- sion that words fail us ... Language/Speaking With No Language: Leslie Thornton's Adynata by Linda Peckham.
... Language : Leslie Thornton's Adynata Linda Peckham Adynata : A stringing together of impossibilities ; sometimes a confes- sion that words fail us ... Language/Speaking With No Language: Leslie Thornton's Adynata by Linda Peckham.
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing