Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 8Indiana University Press, 1986 |
From inside the book
Niðurstöður 1 - 3 af 4
Síða 6
... Sooni Taraporevala observes , if India Cabaret is not endorsed by a number of female viewers , it is because " a ' correct ' woman's film on cabaret dancers would portray them as essen- tially passive , embittered victims of a ...
... Sooni Taraporevala observes , if India Cabaret is not endorsed by a number of female viewers , it is because " a ' correct ' woman's film on cabaret dancers would portray them as essen- tially passive , embittered victims of a ...
Síða 65
... Sooni Taraporevala and Mira Nair Compiled by Sooni Taraporevala Sooni : As an Indian woman making a film about women in your own country , your work was not endorsed by some women of your inclination , notably feminists , at least in ...
... Sooni Taraporevala and Mira Nair Compiled by Sooni Taraporevala Sooni : As an Indian woman making a film about women in your own country , your work was not endorsed by some women of your inclination , notably feminists , at least in ...
Síða 68
... Sooni : Also what inspired people was the level of articulation people had in the film , that Rekha , Mrs. Pujara , and others were ordinary people whose language is sometimes almost poetic . That they all had stories and such lucidity ...
... Sooni : Also what inspired people was the level of articulation people had in the film , that Rekha , Mrs. Pujara , and others were ordinary people whose language is sometimes almost poetic . That they all had stories and such lucidity ...
Aðrar útgáfur - View all
Common terms and phrases
absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing