Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 8Indiana University Press, 1986 |
From inside the book
Niðurstöður 1 - 3 af 8
Síða 5
... Rekha as a powerful character whose disrespectful , non - conventional love - life leads , at the end of the film , to a " normal , " conventional marriage . Rekha's shamelessly free speech , her subversive control over the men she ...
... Rekha as a powerful character whose disrespectful , non - conventional love - life leads , at the end of the film , to a " normal , " conventional marriage . Rekha's shamelessly free speech , her subversive control over the men she ...
Síða 6
... Rekha sees clearly where she is supposed to remain dim - sighted ; she understands the law of dependency and knows it takes more than one to feel shame . “ If the viewer does not feel shame , why should the viewed ? " ( Vasanti , in ...
... Rekha sees clearly where she is supposed to remain dim - sighted ; she understands the law of dependency and knows it takes more than one to feel shame . “ If the viewer does not feel shame , why should the viewed ? " ( Vasanti , in ...
Síða 63
... Rekha : " If somebody said that to me , I'd say , here's my address , come see me tonight ! " Vasanti : " If we speak of shame , then how would we work ? And if we don't work , then how would we make money ? That's why in such a place ...
... Rekha : " If somebody said that to me , I'd say , here's my address , come see me tonight ! " Vasanti : " If we speak of shame , then how would we work ? And if we don't work , then how would we make money ? That's why in such a place ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing