Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 101988 |
From inside the book
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Síða 69
... punk had the mark of authenticity it was noisy , literally and figuratively . Malcolm McLaren , manager of the Sex Pistols , claimed that punk was a radical working class music , a line echoed in the British rock press . 46 In fact ...
... punk had the mark of authenticity it was noisy , literally and figuratively . Malcolm McLaren , manager of the Sex Pistols , claimed that punk was a radical working class music , a line echoed in the British rock press . 46 In fact ...
Síða 70
... punk subculture . Published in 1979 , the book discusses punk music as a subcultural style , some- what consistent in terms of its codings ( internally coherent modes of dress , language , etc. ) , interesting as a successful spectacle ...
... punk subculture . Published in 1979 , the book discusses punk music as a subcultural style , some- what consistent in terms of its codings ( internally coherent modes of dress , language , etc. ) , interesting as a successful spectacle ...
Síða 71
... punk and new wave music moves , even if oblique- ly , to become a rock and roll commodity , there are a few interest ... punk to withstand the commercial pressures of the pop music industry . Jon Savage writes that punk's style had ...
... punk and new wave music moves , even if oblique- ly , to become a rock and roll commodity , there are a few interest ... punk to withstand the commercial pressures of the pop music industry . Jon Savage writes that punk's style had ...
Efni
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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