Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 101988 |
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Síða 124
... spectacle creates the promise of a rich sight : not the sight of particular fetishized objects , but sight itself as richness , as the ground of extensive experience . This " vocation of the perceptual , ” as Fredric Jame- son calls it ...
... spectacle creates the promise of a rich sight : not the sight of particular fetishized objects , but sight itself as richness , as the ground of extensive experience . This " vocation of the perceptual , ” as Fredric Jame- son calls it ...
Síða 127
... spectacle ) or waits and watches ( significantly , he doesn't actively take Jane away from Orville at the end ; rather , he watches as Jane , invoking the seductive smell of grease - paint , confronts Orville herself ) . If there is ...
... spectacle ) or waits and watches ( significantly , he doesn't actively take Jane away from Orville at the end ; rather , he watches as Jane , invoking the seductive smell of grease - paint , confronts Orville herself ) . If there is ...
Síða 128
... spectacle . After the credit sequence , the camera cranes across a farm yard and then moves up to a window through ... spectacle as non - pro- gressing show , spectacle as the non - utility of demonstration and performance , a kind of ...
... spectacle . After the credit sequence , the camera cranes across a farm yard and then moves up to a window through ... spectacle as non - pro- gressing show , spectacle as the non - utility of demonstration and performance , a kind of ...
Efni
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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