Discourse, Bindi 21,Útgáfur 1-21999 |
From inside the book
Niðurstöður 1 - 3 af 44
Síða 70
... kind of metaphor ) ; but in Paradjanov , metaphor precedes ontology , is more basic . Paradjanov's cinema is doubly a cinema of the image : because of its arresting images , but also and basically because the world it shows is in the ...
... kind of metaphor ) ; but in Paradjanov , metaphor precedes ontology , is more basic . Paradjanov's cinema is doubly a cinema of the image : because of its arresting images , but also and basically because the world it shows is in the ...
Síða 157
... kind of happy ending- this was my intention . We spent the whole day ... The way I experienced it is that I couldn't get a shot that I liked : No ... No. . . . We spent hours with me looking for a shot . I didn't like it . We went back ...
... kind of happy ending- this was my intention . We spent the whole day ... The way I experienced it is that I couldn't get a shot that I liked : No ... No. . . . We spent hours with me looking for a shot . I didn't like it . We went back ...
Síða 178
... kind of social conscience is to put his finger on the wounds of the body of society . MH & R : You say that you have been profoundly influenced by Chekhov . Do you think his teaching is still relevant to our time ? SSS : Why not ...
... kind of social conscience is to put his finger on the wounds of the body of society . MH & R : You say that you have been profoundly influenced by Chekhov . Do you think his teaching is still relevant to our time ? SSS : Why not ...
Efni
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Höfundarréttur | |
17 aðrir hlutar ekki sýndir
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