Discourse, Bindi 21,Útgáfur 1-21999 |
From inside the book
Niðurstöður 1 - 3 af 42
Síða 64
... figures are juxtaposed rather than interlaced , is doubly my mirror : the multiplication of its basic figure gives me a spatial rendition of my temporal multiplication ; the abstraction of its unit figure reminds me of my own ...
... figures are juxtaposed rather than interlaced , is doubly my mirror : the multiplication of its basic figure gives me a spatial rendition of my temporal multiplication ; the abstraction of its unit figure reminds me of my own ...
Síða 23
... figure ballooned to an enormous size , a figure made more bizarre by the exaggerated femininity of her attire : a pastel colored dress and pink bows in her hair . This apparition not surprisingly inspires terror among the office workers ...
... figure ballooned to an enormous size , a figure made more bizarre by the exaggerated femininity of her attire : a pastel colored dress and pink bows in her hair . This apparition not surprisingly inspires terror among the office workers ...
Síða 27
... figure of Falstaff masquerading as a woman in The Merry Widow ( Parker 8-35 ) . A second archetype spinning off the Circe figure is that of the female poisoner . In Venomous Woman , Margaret Hallissy explores a tradition of female ...
... figure of Falstaff masquerading as a woman in The Merry Widow ( Parker 8-35 ) . A second archetype spinning off the Circe figure is that of the female poisoner . In Venomous Woman , Margaret Hallissy explores a tradition of female ...
Efni
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Höfundarréttur | |
17 aðrir hlutar ekki sýndir
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