Discourse, Bindi 32,Útgáfa 32010 |
From inside the book
Niðurstöður 1 - 3 af 16
Síða 288
... tion of the subject into , affect . This is what Foster calls " the return of the real . " The fascination with and circulation around the wound of trauma in contemporary art is further addressed by Mark Seltzer as a cultural phenomenon ...
... tion of the subject into , affect . This is what Foster calls " the return of the real . " The fascination with and circulation around the wound of trauma in contemporary art is further addressed by Mark Seltzer as a cultural phenomenon ...
Síða 312
... tion to its environment . When the film ultimately eschews the mas- turbatory pleasures of the SQUID device in favor of supposedly unmediated " life , " in fact it is returning us to the actual technical capabilities of SQUID : an ...
... tion to its environment . When the film ultimately eschews the mas- turbatory pleasures of the SQUID device in favor of supposedly unmediated " life , " in fact it is returning us to the actual technical capabilities of SQUID : an ...
Síða 317
... tion of a fiction film to our “ actual ” memories , and so on . The trajectory of the film implies that any narrative or technological emphasis on individual moments of experience is a disavowal of the interpenetration , the constant ...
... tion of a fiction film to our “ actual ” memories , and so on . The trajectory of the film implies that any narrative or technological emphasis on individual moments of experience is a disavowal of the interpenetration , the constant ...
Efni
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Höfundarréttur | |
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affect Anna archive becomes Berrettini Bloom Brown Brundle Camera Challenge of Islam cinema colonial colonized subject concept condition Contemporary Art Cronenberg's films culture David Cronenberg Deleuze's Discourse Eastern Promises empathy essay ethic experience exposed exposure fantasy feminine film's finitude forms French functions Gilles Deleuze grotesque History of Violence human Ibid ISSN Jacques Lacan Jannis Kounellis killed Kirill Kounellis Kounellis's Lacan LaCapra language Lenny logic Love's Body Mace Mace's beating machine male Marcuse masculine Massumi metaphysical microscope mundane Nancy narrative Nikolai normal object ontological photography police political possibility production Prophetic Tradition psychoanalysis racial racial projects relation relationship remediation representation repressed Ring of Gyges Rodney King Sarajevo scene Schickore Seltzer Semyon sexual simply singular social memory space SQUID clip SQUID technology Stall Strange Days structural surveillance technologies Sutton symbolic tattoos tion trauma University Press Videodrome Wayne State University woman