Discourse, Bindi 32,Útgáfa 32010 |
From inside the book
Niðurstöður 1 - 3 af 17
Síða 303
... surveillance as well as cinematic representations of surveillance : that surveillance both defines and is defined by the technologies ... surveillance . I will argue that the film's treatment of SQUID as a technology of immediacy navigates ...
... surveillance as well as cinematic representations of surveillance : that surveillance both defines and is defined by the technologies ... surveillance . I will argue that the film's treatment of SQUID as a technology of immediacy navigates ...
Síða 310
... surveillance . It is , in fact , the manner in which the surveillance possibility of the actual SQUID technology is described that leads us directly back to the presentation of the film's SQUID as a recording of subjective perception ...
... surveillance . It is , in fact , the manner in which the surveillance possibility of the actual SQUID technology is described that leads us directly back to the presentation of the film's SQUID as a recording of subjective perception ...
Síða 315
... technologies around and through which the narrative of Strange Days ... surveillance can be turned against the power structure from which ... surveillance , to delegitimize their very status as purveyors of Surveillance and Social Memory 315.
... technologies around and through which the narrative of Strange Days ... surveillance can be turned against the power structure from which ... surveillance , to delegitimize their very status as purveyors of Surveillance and Social Memory 315.
Efni
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Höfundarréttur | |
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affect Anna archive becomes Berrettini Bloom Brown Brundle Camera Challenge of Islam cinema colonial colonized subject concept condition Contemporary Art Cronenberg's films culture David Cronenberg Deleuze's Discourse Eastern Promises empathy essay ethic experience exposed exposure fantasy feminine film's finitude forms French functions Gilles Deleuze grotesque History of Violence human Ibid ISSN Jacques Lacan Jannis Kounellis killed Kirill Kounellis Kounellis's Lacan LaCapra language Lenny logic Love's Body Mace Mace's beating machine male Marcuse masculine Massumi metaphysical microscope mundane Nancy narrative Nikolai normal object ontological photography police political possibility production Prophetic Tradition psychoanalysis racial racial projects relation relationship remediation representation repressed Ring of Gyges Rodney King Sarajevo scene Schickore Seltzer Semyon sexual simply singular social memory space SQUID clip SQUID technology Stall Strange Days structural surveillance technologies Sutton symbolic tattoos tion trauma University Press Videodrome Wayne State University woman