Discourse, Bindi 32,Útgáfa 32010 |
From inside the book
Niðurstöður 1 - 3 af 4
Síða 307
... racial violence and the way those stagings function as social mem- ory . In this way the film both symptomatizes and intervenes in what Michael Omi and Howard Winant refer to as " racial projects , " which do the " ideological " work ...
... racial violence and the way those stagings function as social mem- ory . In this way the film both symptomatizes and intervenes in what Michael Omi and Howard Winant refer to as " racial projects , " which do the " ideological " work ...
Síða 310
... racial projects . In order to trace the complex links between surveillance , mediation , and subjective experience , it is helpful to remap the narrative trajectory of Strange Days in terms of various details discussed above : ( a ) We ...
... racial projects . In order to trace the complex links between surveillance , mediation , and subjective experience , it is helpful to remap the narrative trajectory of Strange Days in terms of various details discussed above : ( a ) We ...
Síða 317
... racial projects . We can thus understand why Deleuze goes on to explore why it is so crucial to the production of radical cinema to discover not a " truth " but the production of the story : " What is opposed to fic- tion is not the ...
... racial projects . We can thus understand why Deleuze goes on to explore why it is so crucial to the production of radical cinema to discover not a " truth " but the production of the story : " What is opposed to fic- tion is not the ...
Efni
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Höfundarréttur | |
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