Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 32,Útgáfa 3Indiana University Press, 2010 |
From inside the book
Niðurstöður 1 - 3 af 13
Síða 304
... production and erasure of both personal and historical memory as the object of such surveillance technologies ( both human and SQUID ) . The narrative production of Lenny's melancholia in relation to historical and political violences ...
... production and erasure of both personal and historical memory as the object of such surveillance technologies ( both human and SQUID ) . The narrative production of Lenny's melancholia in relation to historical and political violences ...
Síða 317
... production of radical cinema to discover not a " truth " but the production of the story : " What is opposed to fic- tion is not the real ; it is not the truth which is always that of the masters of colonizers ; it is the story ...
... production of radical cinema to discover not a " truth " but the production of the story : " What is opposed to fic- tion is not the real ; it is not the truth which is always that of the masters of colonizers ; it is the story ...
Síða 351
... production in which pioneer of ultramicroscopic filmmaker Jean Comandon participated , technologies of magnification ... produce and reedit films for the 1931 Parisian Colonial Exhibition in such a way that the films would ...
... production in which pioneer of ultramicroscopic filmmaker Jean Comandon participated , technologies of magnification ... produce and reedit films for the 1931 Parisian Colonial Exhibition in such a way that the films would ...
Efni
Marija Cetinic | 285 |
Catherine Zimmer | 302 |
A History of Reflections 17401870 by Jutta Schickore | 352 |
Höfundarréttur | |
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affect Anna archive becomes Berrettini Bloom Brown Brundle Camera Challenge of Islam cinema colonial colonized subject concept condition Contemporary Art Cronenberg's films culture David Cronenberg Deleuze's Discourse Eastern Promises empathy essay ethic experience exposed exposure fantasy feminine film's finitude forms French functions Gilles Deleuze grotesque History of Violence human Ibid ISSN Jacques Lacan Jannis Kounellis killed Kirill Kounellis Kounellis's Lacan LaCapra language Lenny logic Love's Body Mace Mace's beating machine male Marcuse masculine Massumi metaphysical microscope mundane Nancy narrative Nikolai normal object ontological photography police political possibility production Prophetic Tradition psychoanalysis racial racial projects relation relationship remediation representation repressed Ring of Gyges Rodney King Sarajevo scene Schickore Seltzer Semyon sexual simply singular social memory space SQUID clip SQUID technology Stall Strange Days structural surveillance technologies Sutton symbolic tattoos tion trauma University Press Videodrome Wayne State University woman