Discourse, Bindi 32,Útgáfa 32010 |
From inside the book
Niðurstöður 1 - 3 af 16
Síða 280
... logic of the machine one sees little more than an effigy for and an undead persistence of these same metaphysical principles . A thing always reaches perfection in death . But what of this notion of remediating metaphysics itself ? The ...
... logic of the machine one sees little more than an effigy for and an undead persistence of these same metaphysical principles . A thing always reaches perfection in death . But what of this notion of remediating metaphysics itself ? The ...
Síða 311
... logic of the surveillance technologies explic- itly addressed , and also implied , by the film . Simply put , Strange Days presents a series of ways in which the SQUID technology is deployed as a form of violence and power , and every ...
... logic of the surveillance technologies explic- itly addressed , and also implied , by the film . Simply put , Strange Days presents a series of ways in which the SQUID technology is deployed as a form of violence and power , and every ...
Síða 315
... logic of reversal implicitly maintains the initial use of surveillance technologies , visual and otherwise . As Mary Ann Doane has pointed out in another context , that of gendered looking relations in cinema , " The male striptease ...
... logic of reversal implicitly maintains the initial use of surveillance technologies , visual and otherwise . As Mary Ann Doane has pointed out in another context , that of gendered looking relations in cinema , " The male striptease ...
Efni
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Höfundarréttur | |
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affect Anna archive becomes Berrettini Bloom Brown Brundle Camera Challenge of Islam cinema colonial colonized subject concept condition Contemporary Art Cronenberg's films culture David Cronenberg Deleuze's Discourse Eastern Promises empathy essay ethic experience exposed exposure fantasy feminine film's finitude forms French functions Gilles Deleuze grotesque History of Violence human Ibid ISSN Jacques Lacan Jannis Kounellis killed Kirill Kounellis Kounellis's Lacan LaCapra language Lenny logic Love's Body Mace Mace's beating machine male Marcuse masculine Massumi metaphysical microscope mundane Nancy narrative Nikolai normal object ontological photography police political possibility production Prophetic Tradition psychoanalysis racial racial projects relation relationship remediation representation repressed Ring of Gyges Rodney King Sarajevo scene Schickore Seltzer Semyon sexual simply singular social memory space SQUID clip SQUID technology Stall Strange Days structural surveillance technologies Sutton symbolic tattoos tion trauma University Press Videodrome Wayne State University woman