Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 32,Útgáfa 3Indiana University Press, 2010 |
From inside the book
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Síða 331
... Lacan would call a kind of becoming feminine , embodying a feminine agency / sexuation we can call that of going all the way into the sym- bolic order . Here Cronenberg seems to confirm Slavoj Žižek , who , when in interpreting the ...
... Lacan would call a kind of becoming feminine , embodying a feminine agency / sexuation we can call that of going all the way into the sym- bolic order . Here Cronenberg seems to confirm Slavoj Žižek , who , when in interpreting the ...
Síða 332
... Lacan ) that with the hystericization of the male , the woman is empowered , or in Lacanian terms becomes the phallus . That phallus is figured in this film as Anna's motorbike , and her high - booted biker midwife character is a ...
... Lacan ) that with the hystericization of the male , the woman is empowered , or in Lacanian terms becomes the phallus . That phallus is figured in this film as Anna's motorbike , and her high - booted biker midwife character is a ...
Síða 337
... Lacan ) . These positions can be and obviously are inhabited by male and female and transgendered bodies in any number of combinations ( despite what some conservative Lacanians want to say is the degraded status of homosexual couples ) ...
... Lacan ) . These positions can be and obviously are inhabited by male and female and transgendered bodies in any number of combinations ( despite what some conservative Lacanians want to say is the degraded status of homosexual couples ) ...
Efni
Marija Cetinic | 285 |
Catherine Zimmer | 302 |
A History of Reflections 17401870 by Jutta Schickore | 352 |
Höfundarréttur | |
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affect Anna archive becomes Berrettini Bloom Brown Brundle Camera Challenge of Islam cinema colonial colonized subject concept condition Contemporary Art Cronenberg's films culture David Cronenberg Deleuze's Discourse Eastern Promises empathy essay ethic experience exposed exposure fantasy feminine film's finitude forms French functions Gilles Deleuze grotesque History of Violence human Ibid ISSN Jacques Lacan Jannis Kounellis killed Kirill Kounellis Kounellis's Lacan LaCapra language Lenny logic Love's Body Mace Mace's beating machine male Marcuse masculine Massumi metaphysical microscope mundane Nancy narrative Nikolai normal object ontological photography police political possibility production Prophetic Tradition psychoanalysis racial racial projects relation relationship remediation representation repressed Ring of Gyges Rodney King Sarajevo scene Schickore Seltzer Semyon sexual simply singular social memory space SQUID clip SQUID technology Stall Strange Days structural surveillance technologies Sutton symbolic tattoos tion trauma University Press Videodrome Wayne State University woman