Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 32,Útgáfa 3Indiana University Press, 2010 |
From inside the book
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Síða 304
... Berrettini aptly summarizes the milieu : Strange Days portrays an apocalyptic future that centers on LA's public sphere , as shown in Lenny's tour of LA and in the televisual representa- tion of New Year's Eve preparations . Such visual ...
... Berrettini aptly summarizes the milieu : Strange Days portrays an apocalyptic future that centers on LA's public sphere , as shown in Lenny's tour of LA and in the televisual representa- tion of New Year's Eve preparations . Such visual ...
Síða 307
... Berrettini and Carr have gestured toward the climactic scene and its aftermath as either a resolution or a " coda ” to the issues of mediation raised by the SQUID narrative , there seems to be some question as to how it really ...
... Berrettini and Carr have gestured toward the climactic scene and its aftermath as either a resolution or a " coda ” to the issues of mediation raised by the SQUID narrative , there seems to be some question as to how it really ...
Síða 318
... Berrettini , “ Can ' We All ' Get Along ? Social Difference , The Future , and Strange Days , " Camera Obscura 50 ( 17 , no . 2 ) ( 2002 ) : 154-89 , quotation on 159 . 2 Not surprisingly , given her role in the film , Mace's own ...
... Berrettini , “ Can ' We All ' Get Along ? Social Difference , The Future , and Strange Days , " Camera Obscura 50 ( 17 , no . 2 ) ( 2002 ) : 154-89 , quotation on 159 . 2 Not surprisingly , given her role in the film , Mace's own ...
Efni
Marija Cetinic | 285 |
Catherine Zimmer | 302 |
A History of Reflections 17401870 by Jutta Schickore | 352 |
Höfundarréttur | |
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