Discourse: Berkeley journal for theoretical studies in media and culture, Útgáfa 1Indiana University Press, 1979 |
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Síða 107
... unconscious ? 13 LM : The film is colored by psychonalysis , and I've been very influenced by it . I think it's only at certain points that it really comes up explicitly . For instance , in the external film material that you see on the ...
... unconscious ? 13 LM : The film is colored by psychonalysis , and I've been very influenced by it . I think it's only at certain points that it really comes up explicitly . For instance , in the external film material that you see on the ...
Síða 112
... unconscious motives in the sense of the " psychopathology of everyday life " ... but I do see the danger of confusion . The film says that the politics of day - care introduce the psychoanalytic question of the mother - child dyad , and ...
... unconscious motives in the sense of the " psychopathology of everyday life " ... but I do see the danger of confusion . The film says that the politics of day - care introduce the psychoanalytic question of the mother - child dyad , and ...
Síða 113
... unconscious . Therefore , the differ- ence is between the unconscious working a film text , and a film text which takes the unconscious as its subject matter . For example , Freud's Interpretation of Dreams is not dream - work , but a ...
... unconscious . Therefore , the differ- ence is between the unconscious working a film text , and a film text which takes the unconscious as its subject matter . For example , Freud's Interpretation of Dreams is not dream - work , but a ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Höfundarréttur | |
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analysis articulation child Christian Metz cinema cinematographic communicative competence complex consciousness consensus construction Critical Theory critique culture day-care desire dialectical diegesis dominant enunciation epistemology fact feminine feminist fetishism fiction film filmic filmmaker forces of production form of discourse Foucault Freud function Habermas's Human Interests ideology Imaginary instrumental action issue Jacques Lacan Jean-Louis Baudry Jürgen Habermas Kantian kind Knowledge and Human labor Lacan language Laura Mulvey Legitimation Crisis linguistic Louise Louise's Marx Marx's Marxism Mary Kelly means Mirror Stage mother motherhood narrative notion object Oedipus Oedipus Complex oppression patriarchal Peirce Penthesilea phallus Philosophy political position practical precise primary identification problem procedures of exclusion psychoanalysis question relation representation Riddles scène secondary identification semiotic sense sexual difference signifier social society speak specific spectator speech situation sphinx structure Symbolic synch textual things truth unconscious voice voice-off woman women