Discourse: Berkeley journal for theoretical studies in media and culture, Útgáfa 1Indiana University Press, 1979 |
From inside the book
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Síða 21
... primary identification , because the character - off is really a substitute for the spectator . He is a spectator - a spectator within the spectated . But in these shots , you also have characters who are not off , but who are looked at ...
... primary identification , because the character - off is really a substitute for the spectator . He is a spectator - a spectator within the spectated . But in these shots , you also have characters who are not off , but who are looked at ...
Síða 22
Berkeley journal for theoretical studies in media and culture. primary identification ? M : Yes , no problem . I ... identification concerns only the people who work with the film . Q : But you seem to imply that , by de - emphasizing the ...
Berkeley journal for theoretical studies in media and culture. primary identification ? M : Yes , no problem . I ... identification concerns only the people who work with the film . Q : But you seem to imply that , by de - emphasizing the ...
Síða 35
... primary identification . Identification with one's own look is secondary with respect to the mirror , i.e. , for a general theory of adult activities , but it is the foundation of the cinema and hence primary when the latter is under ...
... primary identification . Identification with one's own look is secondary with respect to the mirror , i.e. , for a general theory of adult activities , but it is the foundation of the cinema and hence primary when the latter is under ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Höfundarréttur | |
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Common terms and phrases
analysis articulation child Christian Metz cinema cinematographic communicative competence complex consciousness consensus construction Critical Theory critique culture day-care desire dialectical diegesis dominant enunciation epistemology fact feminine feminist fetishism fiction film filmic filmmaker forces of production form of discourse Foucault Freud function Habermas's Human Interests ideology Imaginary instrumental action issue Jacques Lacan Jean-Louis Baudry Jürgen Habermas Kantian kind Knowledge and Human labor Lacan language Laura Mulvey Legitimation Crisis linguistic Louise Louise's Marx Marx's Marxism Mary Kelly means Mirror Stage mother motherhood narrative notion object Oedipus Oedipus Complex oppression patriarchal Peirce Penthesilea phallus Philosophy political position practical precise primary identification problem procedures of exclusion psychoanalysis question relation representation Riddles scène secondary identification semiotic sense sexual difference signifier social society speak specific spectator speech situation sphinx structure Symbolic synch textual things truth unconscious voice voice-off woman women