Colonial and Post-Colonial Incarceration

Framhlið kápu
Graeme Harper
A&C Black, 27. des. 2001 - 280 síður
The first study to deal extensively and comparatively with capture, imprisonment and punishment in colonial and postcolonial cultures. Offering textual as well as historical analysis, each chapter focuses on a specific national or regional arena. Each also provides foundational insight into the social, economic and cultural conditions prevalent in colonial societies. Chapters, written by a wide range of international specialists, include coverage of the early modern to the contemporary period as well as coverage of cultural arenas from Europe to Asia, Australia, northern and southern Africa and North America.
 

Efni

Introduction
1
Criminal minds and felonious nations colonial and postcolonial incarceration
9
The circulation of bodies slavery maritime commerce and English captivity narratives in the early modern period
23
Captivating reading or captivity fiction as tourist guide to a nonAboriginal Tasmania
38
Colonizing the mind Leo Africanus in the Renaissance and today
53
Trading places slave traders as slaves
67
Urban captivity narratives the literature of the yellow fever epidemics of the 1790s
86
Transglobal translations the Eliza Fraser and Rachel Plummer captivity narratives
105
Torture and the decolonization of French Algeria nationalism race and violence during colonial incarceration
161
The prisonhouse of language literary production and detention in Kenya
176
Trapped daughters American Chinatowns and Chinese American women
187
On Englands doorstep colonialism nationalism and carceral liminality in Brendan Behans Borstal Boy
205
Apartheid prison narratives the Truth and Reconciliation Commission and the construction of national traumatic memory
223
Conclusion
240
Selected bibliography
243
Index
261

Body and belongings property in the captivity of Mungo Park
124
Empires of light and dark Japanese prisons and narratives of survival
145

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Um höfundinn (2001)

Graeme Harper is Professor of Creative Writing and Dean of The Honors College at Oakland University, Michigan, USA. He is Editor of the Approaches to Writing Series at Bloomsbury, Editor of the New Writing journal and is Chair of the Creative Writing Studies Organization (CWSO) in the USA. He was also inaugural Chair of HE at the UK's National Association of Writers in Education (NAWE) and is an award-winning fiction writer, Professor and Honorary Professor.

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