Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 16,Útgáfur 1-21993 |
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Síða 7
... genre . Indeed , I would argue the particular adaptability of this specific genre to televisual inter- pretation precisely because of its attendant fictions of intimate , authentic , and direct enunciation . And second , I would like to ...
... genre . Indeed , I would argue the particular adaptability of this specific genre to televisual inter- pretation precisely because of its attendant fictions of intimate , authentic , and direct enunciation . And second , I would like to ...
Síða 22
... genre . It suggests that if we seek to imitate the subject - objects of our fascination , we may be condemned to become them . At one level “ Father Figure " admonishes that if you bought this love song ( literally or figuratively ) ...
... genre . It suggests that if we seek to imitate the subject - objects of our fascination , we may be condemned to become them . At one level “ Father Figure " admonishes that if you bought this love song ( literally or figuratively ) ...
Síða 54
... genres which depend most on violence and fear for their narrative excitement . As many film theorists have suggested ... genre , both to be and to emasculate the melo- drama of gender as it has been articulated by both sexes , is a ...
... genres which depend most on violence and fear for their narrative excitement . As many film theorists have suggested ... genre , both to be and to emasculate the melo- drama of gender as it has been articulated by both sexes , is a ...
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Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York