Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 16,Útgáfur 1-21993 |
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Síða 58
... film's psychoanalytic discourse . In retrospect , we can see that Megan's interpretation of the training scenario , in which the fighting couple , played by white actors , are placed in a setting that denotes their poverty , is cued by ...
... film's psychoanalytic discourse . In retrospect , we can see that Megan's interpretation of the training scenario , in which the fighting couple , played by white actors , are placed in a setting that denotes their poverty , is cued by ...
Síða 186
... film generally under- stood only as an example of “ contrast editing " but also considered by Gunning as the ... cinema is understood as narrative cinema . Although Hansen stresses " class " somewhat more than Gunning , the two can be ...
... film generally under- stood only as an example of “ contrast editing " but also considered by Gunning as the ... cinema is understood as narrative cinema . Although Hansen stresses " class " somewhat more than Gunning , the two can be ...
Síða 131
... cinema , including Hollywood movies . As Moffatt explains : “ I learned to make films by watching them . A childhood spent glued to the television , then a diet of very commercial cinema through to avant - garde films . " Mary Poppins ...
... cinema , including Hollywood movies . As Moffatt explains : “ I learned to make films by watching them . A childhood spent glued to the television , then a diet of very commercial cinema through to avant - garde films . " Mary Poppins ...
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