Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18Indiana University Press, 1996 |
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Niðurstöður 1 - 3 af 72
Síða 35
... woman artist caught with- in an unseen set of double binds . Riefenstahl presents herself in her memoir , and in Müller's film , as an autonomous , determined woman and artist , but at the same time as someone at a loss , subject to the ...
... woman artist caught with- in an unseen set of double binds . Riefenstahl presents herself in her memoir , and in Müller's film , as an autonomous , determined woman and artist , but at the same time as someone at a loss , subject to the ...
Síða 78
... Woman , Villa , Car , Money and Xala , the male central characters are offered a choice between a traditional woman and a dissolute mod- ern woman . Termed the “ embodiment trope " by Florence Stratton ( " Periodic Embodiments " 112 ) ...
... Woman , Villa , Car , Money and Xala , the male central characters are offered a choice between a traditional woman and a dissolute mod- ern woman . Termed the “ embodiment trope " by Florence Stratton ( " Periodic Embodiments " 112 ) ...
Síða 79
... Woman , Villa , Car , Money and Xala . Rather , Maldoror concentrates on demonstrating the courage of a traditional woman : although Maria receives advice and direction from men during her journey , she nevertheless must , in all ...
... Woman , Villa , Car , Money and Xala . Rather , Maldoror concentrates on demonstrating the courage of a traditional woman : although Maria receives advice and direction from men during her journey , she nevertheless must , in all ...
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