Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfur 1-5Indiana University Press, 1979 |
From inside the book
Niðurstöður 1 - 3 af 68
Síða 22
... kind of desire he / she has ? M : Yes , the kind of spectator who walks out has a different internal functioning . His secondary wishes and secondary ex- pectations are strongly disappointed , and so he is no longer able to maintain his ...
... kind of desire he / she has ? M : Yes , the kind of spectator who walks out has a different internal functioning . His secondary wishes and secondary ex- pectations are strongly disappointed , and so he is no longer able to maintain his ...
Síða 97
... kind of move into the future . And then there's the whole weight of Egyptian culture , and that she's trying to remember something and trying to solve a text : the question of finding the Sphinx , what kind of language did it speak ...
... kind of move into the future . And then there's the whole weight of Egyptian culture , and that she's trying to remember something and trying to solve a text : the question of finding the Sphinx , what kind of language did it speak ...
Síða 121
... kind of locus of pleasure . There's another kind of visual pleasure at work in the mirror sequence of Riddles . Would you talk about that sequence ? LM : Well , the first thing is that towards the end of the film , the narrative thread ...
... kind of locus of pleasure . There's another kind of visual pleasure at work in the mirror sequence of Riddles . Would you talk about that sequence ? LM : Well , the first thing is that towards the end of the film , the narrative thread ...
Efni
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Höfundarréttur | |
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Common terms and phrases
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word