Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfur 1-5Indiana University Press, 1979 |
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Síða 19
... denotation itself would assume that position . In this perspective I had theorized , for example , that the filmed and recognizable object ( signified of denotation ) , and the manner of filming it ( signifier of denotation ) , provide ...
... denotation itself would assume that position . In this perspective I had theorized , for example , that the filmed and recognizable object ( signified of denotation ) , and the manner of filming it ( signifier of denotation ) , provide ...
Síða 24
... denotation has , by itself , connotative value ; but besides this " large connotation " which refers without differ ... denotation independently ( that is why it needs denota- tion , that is why it is " second " ) in order to select ...
... denotation has , by itself , connotative value ; but besides this " large connotation " which refers without differ ... denotation independently ( that is why it needs denota- tion , that is why it is " second " ) in order to select ...
Síða 30
... denotation and designate the same identifiable object ( in this case , a specific musical instrument which is a unit ... denotation these are two free variants of the same sig- nifier which are not commutable but simply substitutable ...
... denotation and designate the same identifiable object ( in this case , a specific musical instrument which is a unit ... denotation these are two free variants of the same sig- nifier which are not commutable but simply substitutable ...
Efni
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Höfundarréttur | |
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analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word