Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfur 1-5Indiana University Press, 1979 |
From inside the book
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Síða 94
... close - up is inseparable for Eisenstein from that of montage and from that of the fragment and bears witness in addition to the fact that these latter two concepts function simultaneously in Eisensteinian theory . For Bon- itzer , the ...
... close - up is inseparable for Eisenstein from that of montage and from that of the fragment and bears witness in addition to the fact that these latter two concepts function simultaneously in Eisensteinian theory . For Bon- itzer , the ...
Síða 114
... close - ups , which can be categorized chiefly as either close - ups of ... up - as though these qualities settled on , better yet , circulated ... close - up is a close - up , a shot either is or is not a close- up . The latter statement ...
... close - ups , which can be categorized chiefly as either close - ups of ... up - as though these qualities settled on , better yet , circulated ... close - up is a close - up , a shot either is or is not a close- up . The latter statement ...
Síða 115
... close - up " ( as one might speak of a " principle of mon- tage " independently of any given form of montage ) , in relation to the classical economy of representation , it is inscribed as a permanent danger , that of the elimination of ...
... close - up " ( as one might speak of a " principle of mon- tage " independently of any given form of montage ) , in relation to the classical economy of representation , it is inscribed as a permanent danger , that of the elimination of ...
Efni
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Höfundarréttur | |
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analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word