Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfur 1-5Indiana University Press, 1979 |
From inside the book
Niðurstöður 1 - 3 af 19
Síða 101
... Anastasia ( and of the funeral ) is the one in Part 1 in which Ivan " announces " most clearly his character in Part 2 ( black costume , political and psychological solitude , doubt - a " Russian Hamlet " ) . Conversely , the scene with ...
... Anastasia ( and of the funeral ) is the one in Part 1 in which Ivan " announces " most clearly his character in Part 2 ( black costume , political and psychological solitude , doubt - a " Russian Hamlet " ) . Conversely , the scene with ...
Síða 127
... Anastasia on her death bed , the passage , effected among other things by the repetition of the theme of the lamps , produces one of the possible metaphors of the face of Anastasia ( in this sequence and in the entire film ) , that of ...
... Anastasia on her death bed , the passage , effected among other things by the repetition of the theme of the lamps , produces one of the possible metaphors of the face of Anastasia ( in this sequence and in the entire film ) , that of ...
Síða 132
... Anastasia's face ) . His complicity with Euphrosinia is abundantly manifested - in shot 43 , already mentioned , the moment when the death is decided , and in which the two of them share the shot ; but it is also shown in shot 13 ...
... Anastasia's face ) . His complicity with Euphrosinia is abundantly manifested - in shot 43 , already mentioned , the moment when the death is decided , and in which the two of them share the shot ; but it is also shown in shot 13 ...
Efni
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Höfundarréttur | |
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Common terms and phrases
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word