Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 14,Hluti 3Indiana University Press, 1992 |
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Síða 177
... cinema as a logic of images , the out- standing example of a " descriptive science of reality " - which was Peirce's definition of logic ; an important definition for Deleuze , we might add , because it conceives of logic as a material ...
... cinema as a logic of images , the out- standing example of a " descriptive science of reality " - which was Peirce's definition of logic ; an important definition for Deleuze , we might add , because it conceives of logic as a material ...
Síða 185
... cinema that looks different even from neo - realism . It is , in Antonioni's brilliant phrase , neo - realism without a bicycle . Even in a necessarily hasty discussion of the time - image and the signs corresponding to it , one point ...
... cinema that looks different even from neo - realism . It is , in Antonioni's brilliant phrase , neo - realism without a bicycle . Even in a necessarily hasty discussion of the time - image and the signs corresponding to it , one point ...
Síða 186
... cinema thinks , then , not by becoming intellectual . It thinks , for example , in Eisenstein's great image of the mists over Odessa ; in Antonioni's shots of tired or waiting or even despairing bodies ; in the feminist cinema's ...
... cinema thinks , then , not by becoming intellectual . It thinks , for example , in Eisenstein's great image of the mists over Odessa ; in Antonioni's shots of tired or waiting or even despairing bodies ; in the feminist cinema's ...
Efni
Ecstasy and Economics A Portrait of Paul Keating | 3 |
Publicity Rights and | 59 |
Feminist Theory and Cultural Studies | 89 |
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