Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 1Indiana University Press, 1994 |
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Síða 41
... describes the film as “ a scrutiny of both a mother / daughter relationship and the demands of national identity ” ( “ Su Friedrich " 89 ) . 25 See also Edelstein , who calls the film " an original , moving and courageous tribute from a ...
... describes the film as “ a scrutiny of both a mother / daughter relationship and the demands of national identity ” ( “ Su Friedrich " 89 ) . 25 See also Edelstein , who calls the film " an original , moving and courageous tribute from a ...
Síða 42
... described in the film are shared by many girls / children , regardless of race or class . ” Only Hoberman situates ... describes Friedrich's images as " nondescript " ( 81 ) and says she finds in them “ no sensuality . no visual play ...
... described in the film are shared by many girls / children , regardless of race or class . ” Only Hoberman situates ... describes Friedrich's images as " nondescript " ( 81 ) and says she finds in them “ no sensuality . no visual play ...
Síða 54
... describes also underlies religion's other face , the absolutist one that taps the economy of horror and suffering in the purifying , phobic inter- ests of a " clean and proper " subject . This is the opposite of the infinite process ...
... describes also underlies religion's other face , the absolutist one that taps the economy of horror and suffering in the purifying , phobic inter- ests of a " clean and proper " subject . This is the opposite of the infinite process ...
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