Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 16Indiana University Press, 1993 |
From inside the book
Niðurstöður 1 - 3 af 43
Síða 55
... viewer found herself while watching the film , as well as when reflecting on it , struggling to assess and respond to the questions that its narrative continuously opened up . In writing about it , however , I have not taken the reader ...
... viewer found herself while watching the film , as well as when reflecting on it , struggling to assess and respond to the questions that its narrative continuously opened up . In writing about it , however , I have not taken the reader ...
Síða 190
... viewer's attention — indeed , all the viewer's senses - compensates for the frustration they inspire as mere fragments ( of land , of body , of everyday life ) . Durand uses the term " objectuality " to designate this new relationship ...
... viewer's attention — indeed , all the viewer's senses - compensates for the frustration they inspire as mere fragments ( of land , of body , of everyday life ) . Durand uses the term " objectuality " to designate this new relationship ...
Síða 191
... viewer's eyes but the viewer's entire body in its passage through the looking - glass , remind us of what photography really is : not " the real " but an attitude toward the real . The chapters devoted to individual artists are ...
... viewer's eyes but the viewer's entire body in its passage through the looking - glass , remind us of what photography really is : not " the real " but an attitude toward the real . The chapters devoted to individual artists are ...
Efni
Introduction | 3 |
Feminist Theory Goes to Hollywood | 50 |
The Monstrous Union of Virginia Woolf and Marilyn Monroe | 71 |
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Aboriginal aesthetic American Anita Hill argues artist Barthes Barthes's become Benjamin body boredom Brassaï camera Cindy Sherman cinema contemporary critical critique cyborg D.W. Griffith DC COMICS death Deleuze desire discourse Dracula Duchenne essay example experience face fantasy Father Figure female feminine feminism feminist fetish fiction film gender genre George Michael German gesture homosexuality Hong Kong Hong Kong cinema human identity issues Kristeva language look lyric machine male Marilyn Monroe means medical photography Megan melancholia modern Moffatt Monroe mother Munby myth narrative nation object photographs political popular culture pose postmodern professor psychoanalysis question reality relation representation Roland Barthes Routledge semiotic sexual Sherman social space story Studies Superman Tania Modleski Teleny television theater theory tion Tracey Moffatt tradition Trans truth vampire viewer Virginia Woolf virtual visual woman women writing York