Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 70
Síða 62
... writing . " 21 Taking into account the problematic status of " writing " ( Schrift ) in Adorno's philosophy , 22 the filmmaker's task would be analogous to that of dialec- tical thought - unmasking the ideology of images , revealing ...
... writing . " 21 Taking into account the problematic status of " writing " ( Schrift ) in Adorno's philosophy , 22 the filmmaker's task would be analogous to that of dialec- tical thought - unmasking the ideology of images , revealing ...
Síða 42
... writing not only works to transform the reader from a passive receiver to an active participant , which is a feature of modernist writing in general , but also makes reading itself a matter of survival , a question of deciphering and ...
... writing not only works to transform the reader from a passive receiver to an active participant , which is a feature of modernist writing in general , but also makes reading itself a matter of survival , a question of deciphering and ...
Síða 49
... writing , here function as the operators of a new symbolic order and not only the recycling of the old . Lessing's writing , understood as an archival process , be- comes the figurative and narrative substitute for the failing Lock ...
... writing , here function as the operators of a new symbolic order and not only the recycling of the old . Lessing's writing , understood as an archival process , be- comes the figurative and narrative substitute for the failing Lock ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing