Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 78
Síða 39
... women photographers ' project : " The group contin- ued the futile discussion for some time . " Shortly after ... women for an audience of women . At a few points they may coincide , as when Kluge's narrator quotes proverbs and ...
... women photographers ' project : " The group contin- ued the futile discussion for some time . " Shortly after ... women for an audience of women . At a few points they may coincide , as when Kluge's narrator quotes proverbs and ...
Síða 42
... women , all concerned with the surreal banalities of everyday life , represents the shared concern of women artists in the seventies " to see with their own eyes . " By including these films in her own , Sander is claiming the political ...
... women , all concerned with the surreal banalities of everyday life , represents the shared concern of women artists in the seventies " to see with their own eyes . " By including these films in her own , Sander is claiming the political ...
Síða 20
... women and my gut feelings . . . . Our idea of including women of color was to send out notices . We never came to the business table as equals . Women of color joined us on our terms . . . . I started seeing the similarities with how ...
... women and my gut feelings . . . . Our idea of including women of color was to send out notices . We never came to the business table as equals . Women of color joined us on our terms . . . . I started seeing the similarities with how ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing