Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 50
Síða 32
... viewer . It is the voice - over , together with the intertitles that constitute its point of view , that exer- cise organizational control over the film . Two questions demand our attention : What is the function of the narrator in the ...
... viewer . It is the voice - over , together with the intertitles that constitute its point of view , that exer- cise organizational control over the film . Two questions demand our attention : What is the function of the narrator in the ...
Síða 33
... viewer then has little respect for the characters ' diligent uncovering of the same knowledge . The narrator's ... viewer accept this " fact " without question ? It is a testimony to how thoroughly the viewer is under the sway of ...
... viewer then has little respect for the characters ' diligent uncovering of the same knowledge . The narrator's ... viewer accept this " fact " without question ? It is a testimony to how thoroughly the viewer is under the sway of ...
Síða 38
... viewer will have to con- struct the film actively from its parts , thus in the process securing liberation from the trap of passive consumption ; and that a mix of fiction and documentary modes will disrupt genre conventions , throw the ...
... viewer will have to con- struct the film actively from its parts , thus in the process securing liberation from the trap of passive consumption ; and that a mix of fiction and documentary modes will disrupt genre conventions , throw the ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing