Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 11
Síða 80
... tango must have a gift for intu- ition . She should make herself transparent , a clear medium , to decipher the orders of her partner several seconds in advance , even before he , himself , knows which lopsided , depraved , per- verse ...
... tango must have a gift for intu- ition . She should make herself transparent , a clear medium , to decipher the orders of her partner several seconds in advance , even before he , himself , knows which lopsided , depraved , per- verse ...
Síða 93
... tango as well , yet it is a much more complicated and ambiguous construction . Os- tensibly , the subject of the historical tango is male : " It has always been held that the tango was ' men's music . ' In the beginning , when this ...
... tango as well , yet it is a much more complicated and ambiguous construction . Os- tensibly , the subject of the historical tango is male : " It has always been held that the tango was ' men's music . ' In the beginning , when this ...
Síða 99
... Tango : Theme of Class and Nation , " Ethnomusi- cology 20 ( 1976 ) : 273-91 , and " The Politics of Aesthetic Debate : The Case of Brazilian Carnival , ” Ethnology 21.4 ( 1982 ) : 301-11 . In these two studies Taylor discusses popular ...
... Tango : Theme of Class and Nation , " Ethnomusi- cology 20 ( 1976 ) : 273-91 , and " The Politics of Aesthetic Debate : The Case of Brazilian Carnival , ” Ethnology 21.4 ( 1982 ) : 301-11 . In these two studies Taylor discusses popular ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing