Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 79
Síða 113
... representation aims to give the impression ) will in a way be split by this contradiction between a unifying ... Representation Assuming , then , the existence , at least ideally , of such prepara- tory work on the scene , in its ...
... representation aims to give the impression ) will in a way be split by this contradiction between a unifying ... Representation Assuming , then , the existence , at least ideally , of such prepara- tory work on the scene , in its ...
Síða 13
... representation of differ- ence , in which anxiety is " tamed and bound , " and lived experience in which sexuality is fraught with uncertainty , difficulty and confusion . Myth and representation over - lay ambivalence and contradic ...
... representation of differ- ence , in which anxiety is " tamed and bound , " and lived experience in which sexuality is fraught with uncertainty , difficulty and confusion . Myth and representation over - lay ambivalence and contradic ...
Síða 119
... representation of a skull . Might this perspectival phantasm suggest that any representation of power , accumula- tion , or wealth inscribes itself in a drive toward death , toward fragmentation , or even toward deconstructive , split ...
... representation of a skull . Might this perspectival phantasm suggest that any representation of power , accumula- tion , or wealth inscribes itself in a drive toward death , toward fragmentation , or even toward deconstructive , split ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing