Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 85
Síða 56
... produce right down to the slightest bit of image consciously ( knowing how it was made , and , why not [ see below ] , what effect it will produce ) —all of this is obviously the clearest expression , in the theoretical realm , of the ...
... produce right down to the slightest bit of image consciously ( knowing how it was made , and , why not [ see below ] , what effect it will produce ) —all of this is obviously the clearest expression , in the theoretical realm , of the ...
Síða 127
... produces one of the possible metaphors of the face of Anastasia ( in this sequence and in the entire film ) , that of the Virgin , or the Saint . From 4 to 5 , moreover , the mode of passage remains analogous , in order to produce a ...
... produces one of the possible metaphors of the face of Anastasia ( in this sequence and in the entire film ) , that of the Virgin , or the Saint . From 4 to 5 , moreover , the mode of passage remains analogous , in order to produce a ...
Síða 81
... produce overt or unconscious collusion with those structures which dominate mino- rities culturally ; ( 3 ) effect the transformation of potential allies in oppositional practice into agents of domination , so as effectively to alienate ...
... produce overt or unconscious collusion with those structures which dominate mino- rities culturally ; ( 3 ) effect the transformation of potential allies in oppositional practice into agents of domination , so as effectively to alienate ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing