Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 87
Síða 56
... political events but the very possibility of an alternative political disourse which would allow for contradictions , revisions , and the freedom - and " labor " -of mourning . What technically looks like a collage of documentary and ...
... political events but the very possibility of an alternative political disourse which would allow for contradictions , revisions , and the freedom - and " labor " -of mourning . What technically looks like a collage of documentary and ...
Síða 95
... Political Film- making after Brecht in Germany : Helke Sander and Harun Farocki by Thomas Elsaesser Politics today ... political cinema " since Godard first urged his profession not to make political films but to make films ...
... Political Film- making after Brecht in Germany : Helke Sander and Harun Farocki by Thomas Elsaesser Politics today ... political cinema " since Godard first urged his profession not to make political films but to make films ...
Síða 96
... political , Brechtian avantgarde , and its opposite , the formal , “ structuralist " avantgarde , which in turn , has been effec- tively criticised by feminist film - theory in the name of a more hetero- geneous film - practice , show ...
... political , Brechtian avantgarde , and its opposite , the formal , “ structuralist " avantgarde , which in turn , has been effec- tively criticised by feminist film - theory in the name of a more hetero- geneous film - practice , show ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing