Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 66
Síða 44
... notion of the " self - service counter " and is aimed more or less explicitly at producing a theory directing cinematic practice . These concepts themselves are scarcely homogeneous . Some are quite directly the result of reflections on ...
... notion of the " self - service counter " and is aimed more or less explicitly at producing a theory directing cinematic practice . These concepts themselves are scarcely homogeneous . Some are quite directly the result of reflections on ...
Síða 59
... notion of attraction already imply the essential characteristics of that notion as it will be developed subsequently , more specifically , in thinking of the cinema . Thus , I repeat : ( a ) The attraction is an " aggressive " and ...
... notion of attraction already imply the essential characteristics of that notion as it will be developed subsequently , more specifically , in thinking of the cinema . Thus , I repeat : ( a ) The attraction is an " aggressive " and ...
Síða 44
... notion of ' mon- tage ' , and even to discuss film editing in relevant terms ) . 10 The idea that an image has a specific power to show something may sound a little too commonplace , and I feel compelled to add that there certainly is ...
... notion of ' mon- tage ' , and even to discuss film editing in relevant terms ) . 10 The idea that an image has a specific power to show something may sound a little too commonplace , and I feel compelled to add that there certainly is ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing