Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
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Síða 53
... montage " ( and the whole development of this biological metaphor 15 ) . The frame has to do with editing , with montage , because it is an aspect of the fragment . Frame / fragment - of course , the two terms are not equivalent . And ...
... montage " ( and the whole development of this biological metaphor 15 ) . The frame has to do with editing , with montage , because it is an aspect of the fragment . Frame / fragment - of course , the two terms are not equivalent . And ...
Síða 94
... montage " ( a proposition which E. opposes to Pudovkin's , the frame as " element of montage , " referring to a conception of montage as a game of construction , tinkertoy - like ) is obviously another metaphor , this one also ...
... montage " ( a proposition which E. opposes to Pudovkin's , the frame as " element of montage , " referring to a conception of montage as a game of construction , tinkertoy - like ) is obviously another metaphor , this one also ...
Síða 95
... Montage 1937 " Eisenstein , in fact , recalls his positions in the article " Outside the Frame , " and in particular the " genetic " connection postulated by him between frame and montage , and regrets that his position of that period ...
... Montage 1937 " Eisenstein , in fact , recalls his positions in the article " Outside the Frame , " and in particular the " genetic " connection postulated by him between frame and montage , and regrets that his position of that period ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing