Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 75
Síða 50
... language , of cine - grammar . Even if , on occasion , in the twenties , he let the idea of it emerge : When the elements of montage are selected from the filmed fragments in the course of the process of construction , of filming , and ...
... language , of cine - grammar . Even if , on occasion , in the twenties , he let the idea of it emerge : When the elements of montage are selected from the filmed fragments in the course of the process of construction , of filming , and ...
Síða 68
... language of a survivor is simply not heard the way it is spoken . It's especially not heard in films because the language of films is a very constructed language , the same way that the " reality " of a film is a fabricated one . The ...
... language of a survivor is simply not heard the way it is spoken . It's especially not heard in films because the language of films is a very constructed language , the same way that the " reality " of a film is a fabricated one . The ...
Síða 64
... language of sounds , of noise , of switching , of signals . It was the language of the rabbit , the caribou , A language of the past . the penguin , the beaver . Current runs through bodies and then it doesn't . On again . Off again ...
... language of sounds , of noise , of switching , of signals . It was the language of the rabbit , the caribou , A language of the past . the penguin , the beaver . Current runs through bodies and then it doesn't . On again . Off again ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing